57,396 Free Images of Hand Colored Lithograph

hand-colored yale center for british art aquatint prints in the yale center for british art aquatint etchings in the yale center for british art etching romanticism thomas rowlandson william daniell george hunt

González - Archduke Leopold of Austria

portrait paintings of standing men with right hand on hip archduke of austria

Meytens - Francis I in Spanish Mantelkleid - Belvedere

portrait paintings of standing men with right hand on hip male black shoes in portrait paintings

Michail Pogodin

19th-century oil portraits of sitting men at three-quarter length portrait paintings of sitting men with right hand resting on lap

Pierre Subleyras - Portrait of a Man - WGA21962

1740s portrait paintings from france 1740s portrait paintings of men

Portrait of Louis XIV of France (by Nicolas Mignard)

17th-century oil portraits of standing men at three-quarter length in armour facing right and looking at viewer

HGM Ludwig Wilhelm von Baden Baden

portrait paintings of standing men with left hand on hip landau in der pfalz

König Wilhelm I Württ

male portraits holding glove william i of württemberg

Retrato de Juan Martínez Serrano

Francesco salviati, ritratto di gentiluomo

portrait paintings of men wearing black berets male

Johann Jakob Fugger by Christoph Amberger

portrait paintings of men wearing black berets male

Jan Verspronck - Portret van Eduard Wallis (1621-1684), 1652

facing right and looking at viewer people of haarlem

Portrait of Doña Ana de Velasco y Girón by Juan Pantoja de la Cruz

female portrait paintings by juan pantoja de la cruz golden inscriptions in portrait paintings

Paul van Somer - James I of England (James VI of Scotland) - Google Art Project

17th-century oil portraits of standing men at full length facing right and looking at viewer

Georg Wenzelaus von Knobelsdorff; Queen Sophia -Dorothea von Preussen

georg wenzeslaus von knobelsdorff hair jewellery in art

Malasana y su hija - Eugenio Álvarez Dumont

19th-century paintings of madrid guerrilla warfare

Magdalena penitente, por Tiziano

palazzo pitti hand on chest

Jacques-Louis David - Portrait of the Comte de Turenne - Google Art Project

male fur clothing in art jacques-louis david

Shen Fo-tsung

portrait paintings of standing men with left hand holding objects 17th-century oil portraits of standing men at full length

Sigismund III by Polish court painter

sigmund iii of poland and the order of the golden fleece 17th-century portrait paintings of men

StanislausLeszczynski03

18th-century portrait paintings in germany schloss molsdorf

Joaquín Sorolla y Bastida - Señora de Sorolla

1900s dresses new york

The Grand Duke Ferdinand II of Tuscany and his Wife

grand duke of tuscany london

Frederik Hendrik (1584-1647), prins van Oranje (Atelier of Gerard van Honthorst, 1650)

gerard van honthorst prince of orange

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

The Reconciliation, or the Return from Scotland, Thomas Rowlandson, 1793

etchings in the yale center for british art romanticism

Ascot Heath Race for His Majesty's Gold Plate, James Pollard, 1826

aquatint prints in the yale center for british art james pollard

(The) A Grand Battle between the Famous English Cock and Russian Hen!, Thomas Rowlandson, 1791

etchings in the yale center for british art romanticism

Shooting [set of six]: 2. Pheasant Shooting, James Pollard, 1822

aquatint prints in the yale center for british art james pollard

On the Banks of the Marne below the Bridge at Charenton, Thomas Girtin, 1803

aquatint prints in the yale center for british art thomas girtin

Plate VI: London, Westminster Bridge and the Abbey, William Daniell, 1805

aquatint prints in the yale center for british art william daniell

Plate II: London, the Pool and the Tower (from William Daniell's Six Views of London; Thames side), 1804

aquatint prints in the yale center for british art william daniell

Capt. Becher on Vivian, George Hunt, 1834

aquatint prints in the yale center for british art george hunt

Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin, Thomas Rowlandson, circa 1786

etchings in the yale center for british art romanticism

The Times, Thomas Rowlandson, circa 1783

etchings in the yale center for british art romanticism

Hunting, Shooting, etc. [set of four]: 3. Partridge Shooting, Samuel Howitt, 1793

aquatint prints in the yale center for british art samuel howitt

Set of six: 3. Hunter, Thomas Sutherland, 1821

aquatint prints in the yale center for british art thomas sutherland

A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends, Thomas Rowlandson

etchings in the yale center for british art romanticism

Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

The Toast, George Hunt, 1824

aquatint prints in the yale center for british art george hunt

Sublime Oratory ______ A Display of it, Johann Heinrich Ramberg, 1788

etchings in the yale center for british art johann heinrich ramberg

Southwark Iron Bridge, Thomas Sutherland, 1819

aquatint prints in the yale center for british art thomas sutherland

Shooting [set of six]: 1. Partridge Shooting, James Pollard, 1822

aquatint prints in the yale center for british art james pollard

Plate V: London, Somerset House (from William Daniell's Six Views of London; Thames side), 1805

aquatint prints in the yale center for british art william daniell

Hunting, Shooting, etc. [set of six]: 2. Grouse Shooting, Samuel Howitt, 1796

aquatint prints in the yale center for british art samuel howitt

A View of the Bridge now Building over the Thames at Vauxhall, William Daniell, 1810

aquatint prints in the yale center for british art william daniell

A New Insect, Thomas Rowlandson, 1784

etchings in the yale center for british art romanticism

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828, Edward Duncan

aquatint prints in the yale center for british art edward duncan

Hunting, Shooting, etc. [set of six]: 1. Duck Shooting, Samuel Howitt, 1796

aquatint prints in the yale center for british art samuel howitt

Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest, James Pollard, 1820

aquatint prints in the yale center for british art james pollard

Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---, Thomas Rowlandson, circa 1786

etchings in the yale center for british art romanticism

Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4), Thomas Rowlandson, 1801

etchings in the yale center for british art romanticism

Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

A Touch of the Times, Thomas Rowlandson, 1788

etchings in the yale center for british art romanticism

View of the East Front of the New Theatre Royal Covent Garden, William Daniell, 1809

aquatint prints in the yale center for british art william daniell

Blue and Buf Loyalty, Thomas Rowlandson, 1788

etchings in the yale center for british art romanticism

Plate I: London from Greenwich Park, William Daniell, 1804

aquatint prints in the yale center for british art william daniell

Shooting [set of six]: 5. Snipe Shooting, James Pollard, 1825

aquatint prints in the yale center for british art james pollard

View of the Worcester Race-Course and Grand Stand, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

View on the Thames, George Hunt, 1836

aquatint prints in the yale center for british art george hunt

Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823,..., Edward Duncan, 1840

aquatint prints in the yale center for british art edward duncan

Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825, Edward Duncan

aquatint prints in the yale center for british art edward duncan

(The) This Irish Ambassadors Extraordinary a Gallante(e) Show, Thomas Rowlandson, 1789

etchings in the yale center for british art romanticism

Millbank Looking Westward, Francis Jukes, 1796

aquatint prints in the yale center for british art francis jukes

Plate III: London, London Bridge (from William Daniell's Six Views of London; Thames side), 1804

aquatint prints in the yale center for british art william daniell

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

Downe, Views of Kent, Francis Jukes, 1786

aquatint prints in the yale center for british art francis jukes

A set of four - Shooting: Plate IV. Refreshing, Thomas Sutherland, 1823

aquatint prints in the yale center for british art thomas sutherland

A Lying-In Visit, or a Short-Sighted Mistake, Thomas Rowlandson, 1792

etchings in the yale center for british art romanticism

Canterbury, Francis Jukes, circa 1790

aquatint prints in the yale center for british art francis jukes

A set of four - Shooting: Plate II. Game found, Thomas Sutherland, 1823

aquatint prints in the yale center for british art thomas sutherland

Reform Advised - Reform Begun - Reform Compleat (Complete), Thomas Rowlandson, 1793

etchings in the yale center for british art romanticism

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

A View of the Frigates Stationed in the Hope under the Command of the Elder Brethen of the Trinity House, Thames Estuary, William Daniell, 1804

aquatint prints in the yale center for british art william daniell

Hunting, Shooting, etc. [set of six]: 1. "Grow ye Britons then", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

Britania's Protection, or, Loyalty Triumphant, Thomas Rowlandson, 1800

etchings in the yale center for british art romanticism

The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain, John William Edy, 1786

etchings in the yale center for british art john william edy

Set of six: 1. Charger, Thomas Sutherland, 1821

aquatint prints in the yale center for british art thomas sutherland

This Plate representing the Opening of the St. Katharine Docks, on Saturday the 25th of October 1828, Edward Duncan, 1829

aquatint prints in the yale center for british art edward duncan

Medical Intelligence - Extraordinary - A Coronation in Pall Mall, Thomas Rowlandson, 1789

etchings in the yale center for british art romanticism

A set of four - Shooting: Plate III. Dogs brought the Fame & reloading, Thomas Sutherland, 1823

aquatint prints in the yale center for british art thomas sutherland

The Destruction by Fire of the House of Parliament, Maxim Gauci

aquatint prints in the yale center for british art maxim gauci

Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

Brothers of the Whip, Thomas Rowlandson, 1781

etchings in the yale center for british art romanticism

Set of six: 6. Hack, Thomas Sutherland, 1821

aquatint prints in the yale center for british art thomas sutherland

The Ceremony of the Procession ad Montem, James Pollard

aquatint prints in the yale center for british art james pollard

King's Place, or a View of (Monsieur Reynard's) Best Friends, Thomas Rowlandson, 1784

etchings in the yale center for british art romanticism

The Fair on the Thames, February 4, 1814, Luke Clennell

aquatint prints in the yale center for british art luke clennell

An Elevated View of the New Dock in Wapping, William Daniell, 1803

aquatint prints in the yale center for british art william daniell

A Peep into the Retreat at Tinnehinch, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

Shooting [a pair]: 1. Morning of the first of September, James Pollard, 1822

aquatint prints in the yale center for british art james pollard

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is, George Hunt, 1823

aquatint prints in the yale center for british art george hunt

Hare Hunting: Doddington Beagles, Henry Pyall

aquatint prints in the yale center for british art henry pyall

View of Blackfriars Bridge and St. Paul's, Thomas Sutherland, 1803

aquatint prints in the yale center for british art thomas sutherland

Hunting, Shooting, etc. [set of four]: 4. Pheasant Shooting, Samuel Howitt, 1793

aquatint prints in the yale center for british art samuel howitt

Millbank Looking Eastward, Francis Jukes, 1796

aquatint prints in the yale center for british art francis jukes

Coaching: The Cambridge Telegraph, Starting from the White Horse, George Hunt, 1831

aquatint prints in the yale center for british art george hunt

A View Near Briton Causway, Francis Jukes, 1785

aquatint prints in the yale center for british art francis jukes

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